Infodats New Zealand

Auckland Audio Limited
Music Studio in Auckland

www.aucklandaudio.co.nz
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Remember you found this company at Infodats (09) 366628?

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Level 2. Auckland, Auckland.
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What you should know about Auckland Audio Limited

Television in Auckland, Audio in Auckland, Recording in Auckland, Shop in Auckland

Envy Studios from my perspective provides one of the maximum positive post production experiences I’ve ever had. More than anything, create a relaxed and definite environment where it’s okay for your voice to take a risk, and where their input is welcome. Because of the nature of the film, every single safe element needed to be re created via Foley and sound design. Start by giving an overview of the feel of the piece, and let your voice artist offer you a read. Also to our Head of Sound, Veda Kiyici, who was both Foley artist and safe designer mixer for this one. This concise film has been screened around the globe with amazing reviews and it has been awarded the Best Fresh Zealand concise film of 2015 at the niff, as healthy as picking up 3 awards including Superior Film at the Academy Awards accredited Reveal Me Shorts Film Festival.
7 What makes for the best sessions, where you feel you are qualified to present the most?. Renting is a appropriate way to go about getting your hands on top quality stuff from project to project. From time to time we get asked by productions as to how we would like the picture editor to produce materials for a sound post booking. She’s worked production side with two of Auckland’s top production companies, Screentime and Imagination TV, on shows such as Police Ten 7 and two seasons of New Zealand’s Got Talent.
Low levels In the digital age, we are lucky to have a lot of headroom for sound levels, so let’s use it. Once you’ve heard that beginning read and levels are set, it’s a appropriate time to say a scanty words to indicate the feel of the portion and the character you’d like even for a straight read, if this differs from what they’ve given you. Once you’ve entered a shared imaginary world where your voice artist has a growing sense of the character they’re playing, the world they’re in and the feel of the piece, then they have the freedom to play around within this. Also to our Head of Sound, Veda Kiyici, who was both Foley artist and sound designer mixer for this one. 2 Do you prefer to give a read or two prior receiving direction, or get direction straight off?

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